Ph.D. in Cultural Studies, The Chinese University of Hong Kong, 2017
M.A. in Comparative Literature, Sun Yat-sen University, 2011
B.A. in Chinese Language and Literature, Sun Yat-sen University, 2009
- Research Fellow, Communication, South China Normal University, 2017-present
- Part-time Lecturer, Cultural Studies, The Chinese University of Hong Kong, 2016
- Community Worker, Guangdong Lvgeng Social Work Center, 2011-2013
- Fellow, Service Learning Center, University of California-Berkeley, 2009
Introduction to Film Theory
Film Criticism
Visual Cultural Studies
Cultural and Creative Industries
Transcultural Communication
- Principal Investigator, “Film Propaganda and Social Mobilization in Rural China during the Collectivization Period”, Sponsored by The National Social Science Fund of China (2019-2022).
Principal Investigator, “Modernity and Early Cinematic Experiences in Rural China”, sponsored by The Humanities & Social Sciences Youth Fund of the Ministry of Education of China (2018-2021).
- “The Cinema of Make-Believe: Rural Viewers’ Reception of Early Film Propaganda in Maoist China.” Journal of Chinese Cinemas. (online, A&HCI, peer reviewed)
- “Female Projectionist on the Move: Exhibiting Socialist Gender Equality in Maoist China.” Gender and History. (online, A&HCI, peer reviewed)
- “Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China.” Historical Journal of Film, Radio and Television (2021): 1-27. (A&HCI, peer reviewed)
- “Empowering Women through Alternative Economic Practice: A Case Study of Rural Women’s Cooperative in Post-Socialism China,” in Rekha Pande, Sita Vanka (eds). Gender and Globalisation, 41-52. Rawat Publications.
- “Thesis abstract: Film Propaganda as Medium of Perception: Early Rural Screening in Maoist China (1949-1965).” Cinéma & Cie, 2018(10): pp135-137.
- “Book review: The Art of Cloning: Creative Production During China’s Cultural Revolution, by Laikwan Pang”. China Review, Vol. 17, No.3: 195-197.
- In Chinese
- —&蔡若彤. “我的孩子，你的姓氏”：基于豆瓣“冠姓权”讨论的话语分析.文化研究辑刊. (已录用) “‘My Kid, Your Kinship’: A Discourse Analysis Based on the Discussion of ‘Surname Rights’ in Douban.” (CSSCI)
- 竞速奇观与范式创新：当代华语赛车电影的风格流变. 当代电影, 2020 (01) :72-77. Visual Spectacle and Paradigm Shift: Variants of Genre in Contemporary Chinese Car Chase Films. (CSSCI)
- 性别政治、反讽叙事与现代性焦虑—薇拉·齐蒂洛娃创作通论.当代电影, 2019 (03): 82-87. “Gender Politics, Ironic Narrative and Modern Anxiety: On Věra Chytilová’s Films.” (CSSCI)
- 电影教育与电影宣传：新中国农村电影放映的来源研究. 当代电影, 2019 (10) : 49-54. “Film Education and Film Propaganda: A Study of the Sources of Rural Film Screening in Socialist China.” (CSSCI)
- —&赵杰峰. 香港小区重建与“日常”空间重塑—对影行者旧区改造及其放映实践的研究. 当代电影. 2017, Vol. 5:97-101. Community Redevelopment and the Reconstruction of Everyday Spaces in Hong Kong: A Study of the Film Production and Exhibition of V-artist. (CSSCI)
- 闫红红, —&古学斌. 合作经济、集体劳动与农村妇女—一个华南村落的乡村旅舍实践案例. 妇女研究论丛. 2017, Vol. 6: 36-47. Cooperative Economy, Collective Labor and Rural Women: A Case Study of Rural Inn Project in South China. (CSSCI)
- 农村观众、早期电影与社会主义现代性：对毛时代农村放映的理论化再思考. 当代电影. 2016, 02:140-142. Rural Viewer, Early Cinema, Socialist Modernity: Rethinking Rural Screening in Maoist China. (CSSCI)
- 农村性别观念的现代性改造：以1950年代陕西地区的流动放映为例. 妇女研究论丛. 2016, Vol. 6: 28-41. Propagating Gender Equality in Rural China: A Case Study of Mobile Screenings in Shaanxi Province. (CSSCI)
- —&周舒燕. 书评：游转于历史中的香港电影—评A Companion to Hong Kong Cinema. 当代电影. 2016, 06: 194-196. Book Review: A Companion to Hong Kong Cinema. (CSSCI)
- 人权语境下的影像倡导：美国WITNESS项目研究. 柯倩婷编. 光影之间的性别叙事. 九州岛出版社, 2010. Video Advocacy and Human Rights: A Study of the NGO Witness. in Gender Narratives in Film.
Outstanding Mentor, in the National Advertising Art Design Competition for College Students (Guangdong), 2020.
Excellent Mentor, in the Department of Journalism and Communication of South China Normal University, 2021.
Third Prize, in the First Young Teacher Teaching Competition of South China Normal University, 2018
